If constructing is inventing, when rehabilitating we take the past as a support for the invention.
The projects presented in this issue of the journal EN BLANCO are characterised by the condition of mediating between a historical past and the present. In our case, the existing buildings come from very different periods: from the Roman Antiquity at Merida, in the vicinity of the Temple of Diana, up to the 19th century at the Thalia Theatre in Lisbon and at the industrial architecture of Utebo’s Mill.
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