Diana Vreeland Empress of Fashion

Described by an admirer as ‘the High Druidess of fashion, the Supreme Pontiff, Perpetual Curate and Archpresbyter of elegance, the Vicaress of Style’, Diana Vreeland is the cloth from which twenty-first-century fashion editors are cut. Talent-spotted by legendary editor Carmel Snow, Diana joined Harper’s Bazaar in 1936, where her pizzazz and singular point of view quickly made her a major creative force in fashion. During her time at Harper’s Bazaar and later as the editor-in-chief of Vogue, the self-styled ‘Empress of fashion’ launched Twiggy’s career, advised Jackie Kennedy, and enjoyed the full swing of sixties’ London. In Diana’s Vogue, women were not only offered shockingly short skirts and silver hipster pants: even more radically, they were encouraged to resist fashion orders from on high, and to use their own imaginations in re-creating themselves – much as Vreeland spent her own life doing.

In 1971 Diana was fired from Vogue. She reluctantly accepted a new position for herself at the Metropolitan Museum of Art as Special Consultant to the Costume Institute, only to reveal a new dimension to her brilliance. Her first show, on the work of designer Cristobal Balenciaga, drew more than 150,000 people to the museum, and the show that followed smashed all the record books. The Metropolitan was stunned, and today’s blockbuster exhibition was born.

In this book, the first full-length biography of Diana Vreeland, Amanda Mackenzie Stuart portrays a visionary: a fearless innovator who inspired designers, models, photographers and artists. Vreeland reinvented the way we think about style and where we go to find it. As an editor, curator and wit, Diana Vreeland made a lasting mark and remains an icon for generations of fashion lovers.