DETAIL 10/2021: Facades
Thanks to their facades, buildings get on well with their neighbours or deliberately keep their distance. The new theatre building at Horris Hill School in England even does both at the same time. Its reddish-brown exterior blends in with the historic brick buildings of the school campus. But instead of brick, the facade of the new timber structure is made of cement-bonded chipboard.
Our October issue showcases outstanding projects that make a mark with their facades – be they subtle, self-confident, or eccentric. In the process, the facades solve complex technical and structural issues at the sensitive interface between interior and exterior.
Our Technology feature delves into the conversion of the Centrum department store and the complex task of strengthening its supporting structure. More in-depth discussions of this and other fascinating facade projects will take place on 21 October at our Detail Congress.
DETAIL 1-2/2020: Windows and Facades
This current issue of Detail deals with a long-running issue in architecture: the design of facades and the role of windows in the building envelope. In earlier eras, the facade was primarily the face of a building – reflecting its origins in the Latin term “facies”. But in the 20th century, it has become increasingly important as a technically advanced building shell. The basic functions of facades have always remained the same: heat and sun protection, light transmission, air supply and, last but not least, as an image bearer and signifier.
Our projects in this issue show how radically different solutions can be used to fulfil these functions depending on location and building typology. At the King Abdulaziz Center for World Culture (Ithra) in Dhahran, Snøhetta’s architects merged roof and facade, windows and a closed building envelope into a filigree work of lines reminiscent of the structures of a fingerprint. With their home in Zurich, Fuhrimann Hächler Architekten celebrate the rugged simplicity of the outer wall construction and the multifunctionality of the metal windows integrated into it. The facade design of the educational facility in Genk by Kempe Thill Architekten is minimalist and expansive, while the school in Orsonnens by Ted’A and Rapin Saiz Architectes is eclectic and playful with echoes of local building traditions. And what could better illustrate the diversity of contemporary facade design than the softly upholstered shell of Petr Hájek’s cultural centre in Prague and the concrete brutalism of OMA’s Norra Tornen residential towers in Stockholm?